Morgan Potts is a writer, non-binary trans activist, photographer, and cellist. He works as an editor for the all-trans anarchist publishing collective DYSPHORIA. His politics are informed by queer feminism and critical theory. He likes DIY music and science fiction. This is his personal website and blog.
[Image description: A billboard advertizing the opening of a Byron, photoshopped to include an Immigration Removal van. It reads: “Byron / Exploitation / Immigration Raids / UKBA Collusion / Coming soon”]
On July 4, Byron Burgers called in undocumented workers from 15 UK stores for a “training session” which was actually a UKBA raid. Home Office officials detained and deported “dozens” of people. It’s being widely ignored in English media; that link is to Spanish media. Most of the people detained and deported were Latinx.
Byron is a microcosm of Theresa May’s “hostile environment”: a UK chain company can exploit undocumented migrant workers as long as they rat them out to the Home Office if they’re caught illegally employing them. Byron benefits from cheap labor and precarious workers; the UKBA benefits from companies like Byron ratting out their employees — everyone wins, except the workers, who are apparently disposable. Employers are becoming border guards, along with landlords, neighbors, teachers, and universities. It’s unacceptable.
[Image description: Sisters Uncut members holding a banner and raising their fists in front of the squatted building which is their social centre in Peckham. The building has a large banner which reads “S.E.L. [south east London] SISTERS UNCUT”; below is a smaller banner which reads “ALL WOMEN AND NON-BINARY PEOPLE WELCOME”. The Sisters hold a banner readings “RINGFENCE D.V. SERVICES”. Photo by me.]
CN: mentions of domestic violence and rape, misogyny, transmisogyny
You know I love you. I’ve hyped you since I found out about you, and several times I’ve taken on support roles for your direct actions. But your gender inclusion policy is a point of contention and confusion.
I’ve only been to one Sisters meeting, which happened sort of by accident immediately after photographing the opening of the occupied/squatter social centre in Peckham (great work, btw!). The Sister facilitating tells us that the meetings are open to all women (trans, intersex, and cis), non-binary and gender nonconforming people, those who experience oppression as women, and those who identify as women for the purposes of political organizing. She tells us that in this space, “sister” is a gender-neutral term. We go around the circle and say our names and pronouns: nearly everyone is “she” with a handful of “they”s, and I’m the only “he” (caveated with “I’m non-binary”). Some Sisters look at me funny and later complain on the internet.
Sisters is a decentralized non-hierarchical group and I don’t know exactly how the gender inclusion policy is articulated in every meeting across the UK, but here’s what is says on your website FAQ:
What is your gender inclusion policy and what does it mean?
Our meetings should be inclusive and supportive spaces for all women (trans, intersex and cis), all those who experience oppression as women (including non-binary and gender non-conforming people) and all those who identify as women for the purpose of political organising. Self-definition is at the sole-discretion of that sister. If you have any queries regarding our gender inclusion policy, please don’t hesitate to ask questions.
Why can’t men come to meetings?
We believe that women must be at the forefront of the movement for women’s rights and therefore we need safe, collective spaces where we can organise, share our experiences, learn from each other and support one another. We want to ensure our meetings are safe and welcoming for survivors of domestic violence, and for that reason we ask men not to attend.
I want to question who the space is for, and highlight the direct contradiction between it being open to “people who experience oppression as women” while not being open to men. (If this is the only phrase you take away from this without reading the rest, you’re killing any chance we have at a nuanced and complex discussion about gender. Please don’t do that.)
Trans men are not “men-lite”, and they don’t experience anything (oppression or otherwise) as women because they are not women, they are men. But claiming the identity label of “man” does not mean that the world genders you as a man. When I realized I was trans, no one else saw my masculine gender or believed me. I was still street harassed, still talked over, still objectified in public space, still abused and raped by my then-partner (s/o to Charles Potashner aka Chuck Potashner, I hope this ruins your reputation). The violence I experienced was absolutely gendered. In fact, it was often transmisandrist, if you’ll entertain the notion that such violence exists: he attempted to correctively rape me into being a cis girl. I stayed with him for years, mostly because I had no money to leave. I later found out about Sisters Uncut but felt like my presence, as a trans masc*, would be imposing, despite my extremely relevant personal experience of gendered domestic and sexual violence and my enthusiasm for direct action.
*I loathe the term “trans masculine” as a catch-all for afab people who aren’t cis / don’t identify as women: personal example of its failing is me being trans but not very masculine. Still, I think it’s the best we’ve currently got.
Trans men are not always read as men. When trans men are read as women, they experience the same external gendered violence as cis women. The transphobic violence which trans men face is gendered violence, usually about a biological essentialism that trans men are not really men but women, and are then objectified and abused as miscreant women. Claiming the identity label of “man” or “masculine” does not change the way you are coercively gendered by society, and it does not erase your history of being coercively gendered (and possibly assaulted) as a “woman”. Trans men might be sex workers who work as “women”.
In discourse, trans women are hyper-visible and fetishized and othered, constantly needing to self-advocate for their gender to be respected; trans men are invisible and also constantly self-advocate, or else assimilate into cisnormative masculinity. In queer spaces, trans men and masc people are dominant while trans femmes, femmes, fat babes, and QTIPOC have less social capital. The desire to create a space which centers these voices is understandable and valuable, but I don’t think including trans men would diminish them; it would empower otherwise disenfranchised trans men who have no safe/r spaces in discussions of domestic violence, like femme trans men, POC trans men, and trans masc sex workers.
There is a theoretical trans man who does not belong in Sisters Uncut: he has always known he was a boy/man, he has lived his whole life “stealth” and is assumed to be a cis man by people on the street. This is the assimilationist trans man, who is honestly completely unknown to me (to everybody) and who has a very different gendered experience than most trans masculine people. The domestic violence he might face, if his abusive partner did not know him to be trans, would not have the same gendered dynamic as a trans man who is out to their partner, or a closeted trans man. As you know, 4 out of 5 trans people experience domestic violence. This is not exclusive to trans women.
I am sympathetic to the desire to create a safer space which does not include men, and the empowerment which comes from politically organizing without men. I also appreciate the assertion that trans men are men despite its reductiveness. But if Sisters Uncut welcomes “people who experience oppression as women”, then it must welcome men. Who “experiences oppression as a woman” or is “a woman for the purposes of political organizing”—yet is not a woman or non-binary—if not men? If men are not welcome, what is the point of these clunky phrases?
There’s understandable reluctance to say that “trans men don’t have male privilege before they’re read as men” because it could imply an inverse “trans women don’t face misogyny until they’re read as women” or even worse that “trans women have male privilege until they’re read as women”, but this isn’t true. Trans femininity and trans masculinity are not opposites in patriarchy. Both are differently punished. This is very difficult to bring up for fear of treading on trans women, and because trans mascs have years of internalized shame and discomfort with masculinity.
Identity policing, whether it’s in-person at meetings or written to exclude certain ID labels, will keep some people away from the space who have relevant and valuable contributions to the discussion. Even saying “no cis men” will keep out amab trans people who aren’t ready yet to claim a trans identity. Baby queers and baby transes need space where they have plausible deniability as straight/cis to explore their non-normative identities. Instead of policing identity labels in order to keep out the wrong people, may I suggest: doing lots of housekeeping to frame the discourse so those who choose to participate are self-selecting as feminists who know when to speak and when to listen; and removing people from the space based on their behavior rather than your perceptions of their identity, e.g. if they’re taking up too much space or being aggressive.
It would be simplest for Sisters if you decided that the purpose of the group is to empower and help women, and only women, in protesting the closure of domestic violence services. This would make Sisters a still-valuable group, but ultimately it’s a cop-out. I would be surprised if Sisters is comfortable with the compromise of excluding people who suffer gendered violence for the sake of maintaining the purity of a No Men Allowed policy. Sisters Uncut has already made controversial but important decisions, such as supporting sex workers’ groups in demanding the decriminalization of sex work. You like doing the hard work and being at the forefront of feminism. It would be deeply disappointing for Sisters to take a reactionary, second-wave feminist stance on gender. Assuming that trans men are inherently violent because they identify with masculinity, or that they’re “gender traitors” for “abandoning womanhood”, is the kind of TERFy bullshit I hope we can wholly reject. Our language is utterly inadequate and will never capture the nuance of our lives but that’s no excuse. You (we) need to be better.
I would bring this discussion to the occupied space itself, but at this point I don’t feel comfortable there even when specifically invited by Sisters who have been active in your organization for months. If a group purporting to support survivors in demanding the end to austerity cuts for DV services excludes trans and non-binary survivors like me, it’s failing in its objective.
With fondness and in acknowledgement that this will literally lose me friends (oh well),
Post script: I’d also critique the inclusion of “gender non-conforming people” as part of the gender inclusion policy. A cis man in drag is gender non-conforming, but he does not experience gendered violence (though he does experience violence from patriarchy which insists that he repress his femininity, which might manifest in physical violence). “Gender variant” is a more appropriate term, but still unnecessary since you explicitly include “non-binary”, but I’ll concede that “non-binary” is a new and very western term and I might be missing some context.
EDIT, 4 July 2016: The following is some more context, lifted from a comment I made in the conversations on facebook:
Maybe this needs some more context. I’ve been on the sidelines of Sisters Uncut for several months. A couple of Sisters have explicitly encouraged me to attend meetings & actions but I haven’t because it felt like I’d be intruding on a women’s/femme centered space, even with the “non-binary people allowed” caveat. The reason I’m writing this *now* is because I did (very gingerly) attend a meeting *which I was explicitly invited to* and was met with a sense of discomfort, which (I’ve since learned) reflects the experiences of lots of people read as men/masc, including amab non-binary / trans-femmes. I know everyone at Sisters is exhausted by all the work they’ve been doing and some people think now’s not a good time—but this is in direct response to a particular moment at the space, and at a time when the gender inclusion/exclusion policy is being visibly, publicly “enforced”.
I’ve privately and publicly supported Sisters—individuals and the group—for a long time and hope to keep doing so. I’ve broached this topic with some Sisters and my trans family privately, and decided to write about it publicly for two reasons: because I didn’t feel comfortable bringing this up in the forum of a Sisters meeting; and to make this a wider and transparent discussion about gender and feminism. I also know that this semi-/academic language is not necessarily accessible, but I’m a single individual and this is just how I write. I’d be super enthusiastic about re-working these points into a more accessible format if there was an interest in that.
Sisters Uncut is a wonderful group and I’m so encouraged by the responses I’ve gotten (thank you again everyone for the love and support). I’m also concerned by some people suggesting that they’re above public, online critique. I know this is hard. I know it’s a lot of work and most of the labor is invisible. But Sisters is a public/community group and I think it’s fair to make a public comment about it, especially when that comment is about my inability to make a comment internally. Tbh I’d rather have these talks in person and this online stuff makes me pretty anxious.
PS Don’t call me a trans man; I’ve been really clear about being non-binary for months now. It’s disrespectful misgendering—and in this context it’s a willful political attempt to discredit what I’m saying—and I’m out of patience for it.
[Image description: a drawing of a person holding their skin open like a coat to reveal their skeleton]
CN: mentions of death
In recent weeks, The Corpse Project has worked with participants through Gendered Intelligence to explore the trans and non-binary body after death. We visited several sites in the death and burial industries and learned about the practical and bureaucratic aspects of dead bodies in the UK.
Trans people must constantly self-advocate in life — for those of us with the privilege to plan for our futures instead of just our immediate survival, there is always a worry for us that our corpses will not be respected in death. Living trans bodies are the site of so much violence. We want to ease the suffering of trans people in death, in the hopes that it will ease the worry of living trans people and show our society at large that trans people are deserving of respect.
Trans people are more likely to die young: we might be denied medical treatment, the long-term effects of HRT are under-studied and may well mean we die sooner, and we are more likely to kill ourselves. While the trans corpse is not by any means the most pressing trans rights issue, we absolutely deserve respect in death as in life—and there is no reason we cannot advocate for healthcare, housing, anti-assimilationism, AND dignified deaths.
As a group we created a “Transfesto” for respecting trans bodies in death to better help the living. My film interview and a quote (in part) is featured in The Independent. Here is the full text of the image above:
The Corpse Project worked with a group of from the trans community, through Gendered Intelligence. In life, trans people fight hard to their gender and their bodies and we wanted to know about the issues for them with the body in death. This statement is the result.
1. We want a massive social change which results in awareness of and respect for transgender, non-binary and gender non-conforming people.
ACTION 1: THE INDUSTRY
To investigate levels of awareness in the funeral service industry and the training it receives, so that we can test and create trans-friendly practice. For example, we want respect for chosen gender and name, regardless of the body’s appearance.
2. We want our names, pronouns and gender identity to be respected throughout — on our death certificates, during ceremonies and at any time our bodies are handled.
ACTION 2: THE PAPERWORK
To review and potentially campaign to change paper work and processes from a trans-inclusive perspective. For example, we want to remove unnecessary and invasive questions about gender. It is also important for some people that executors can have rights over next of kin and can control what happens to the body.
3. We want trans people to be able to make informed choices about what happens to their bodies after death.
ACTION 3: INFORMATION for the TRANS COMMUNITY
To put together an accessible resource pack that will detail information, legalities and the essential preparations every trans person should make. For example, how to make a low-cost will and who to make your executors, because this is crucial to your wishes being carried out.
Response from The Corpse Project: If invited, The Corpse Project would want to offer support to Gendered Intelligence and the group which wrote this Transfesto, to see it implemented.
[Image description: close-up of two hands gently holding each other, both covered in red paint. Photo by Jade Jackman]
Carl Andre killed Ana Mendieta.
Yesterday, at the opening of the new Tate Modern building, the Whereisanamendieta collective and Sisters Uncut protested the inclusion of Carl Andre’s work and the exclusion of Ana Mendieta’s (objectively better) work. It was a protest in three simultaneous parts:
Several activists silently circled a Carl Andre piece and held out their arms painted red—both a reference to Ana Mendieta’s murder and her piece Body Tracks. They covered Andre’s art with a banner which read: CARL ANDRE KILLED ANA MENDIETA
Other activists held a banner in the Tate windows facing outside asking, demanding: WHERE IS ANA MENDIETA
I distributed 1000 fliers in front of Andre’s work which read: CARL ANDRE KILLED ANA MENDIETA
The Tate owns both Andre’s and Mendieta’s work, but are only exhibiting Andre’s while Mendieta’s is hidden in private storage. We will not be complacent in cultural institutions willfully glorifying the work of violent white men. We will not be complacent in the exclusion of women of color. We demand the removal of Carl Andre’s work, and that Ana Mendieta’s work replace it.
[Image description: fairly ugly, high contrast photo of wildflowers at nighttime]
CN: death, violence, blood
The mass murder at Pulse nightclub in Orlando is not “tragic” or apolitical, it was state-enabled domestic terrorism targeting Latinx queers.
Last night at Pulse was a Latin night with a trans headlining act. 50 people who went are dead.
This was not an isolated incident; he was not a “lone wolf” with “mental health problems”. The whole country has been advocating violence, harassment, and dehumanization of queer people for decades. Queer and trans people are literally excluded from public life (bathrooms, blood donations, healthcare, ID documents); the state has made us into sub-citizens. An entire generation was killed by AIDS, trans women of color are murdered in the streets, and queer youth are killing themselves because the relentless bullying and social/familial ostracization is unbearable. We’re not afforded life.
Islamophobia and xenophobic imperialism is a weak response. Speculation about the shooter’s family’s immigration status is disgusting and irrelevant. That he was investigated by the FBI is not relevant—the FBI surveils practically everyone who’s brown and muslim in the US. What’s relevant is that he was able to get guns and kill 50+ people.
The line right now is that the shooter was “radicalized” and had “ties to ISIS”, but there is no evidence of either. The mayor has declared a state of emergency in the city of Orlando which will probably allow the state and police to act with impunity in their surveillance and violence toward US muslims.
UPDATE: The shooter (name not included because fuck granting him notoriety) worked at G4S: a private security company which bullies, detains, deports, and dehumanizes black and brown people, especially queer POC. He idolized the NYPD: a department which harasses and arrests trans women of color for “walking while trans”. His ex-wife has stated that he beat her. His “culture of violence” has nothing to do with his religion (which his father said not important to him) and everything to do with our racist, homophobic society. This shooter’s culture of violence is our culture of violence.
This is not apolitical. We don’t need prayers. It’s easy to say “how tragic” and “the first responders are heroes” but that’s not enough. We need gun control, and anti-racism and anti-queerphobia in our laws and society (but not hate-crime legislation which funnels marginalized people into the for-profit prison system). We need equal rights and access to public space. We need affirmative action. We need swift denouncement of violence and stigma against queer people and POC and immigrants and muslims.
If you’re in the Orlando area, PLEASE DONATE BLOOD:
Orlando West Michigan Donor Center, 345 W Michigan Street, Ste. 106, Orlando, FL 32806
Orlando Main Donor Center, 8669 Commodity Circle, Orlando, FL 32819
Oviedo Donor Center, 1954 W. State Road 426, Oviedo, FL 32765
Asbury United Methodist Church – Bloodmobile 220, West Horatio Avenue, Maitland, FL 32751
St. Luke’s United Methodist Church – Bloodmobile, 4851 S. Apopka Vineland Road, Orlando, FL 32819
Metro Church – Bloodmobile, 1491 East State Road 434, Winter Springs, FL 32708
Note: there are conflicting reports about whether the FDA ban for “men who have sex with men” to donate blood has been lifted. It should go without saying that this ban is homophobic, discriminatory against HIV-pos bodies, and ofc it’s coercively assigned to trans women.
An alternative “Nordic model”—so named for its origins in Sweden, adopted in 1999—which criminalizes people who buy sexual services (sex workers’ clients) is favored by many feminist groups. This is allegedly beneficial to sex workers and does not directly target them, but in reality the Nordic model makes sex workers less safe in many ways: police use sex workers’ reports of other crimes to facilitate their eviction or deportation, and the clients willing to break the law to see sex workers are more dangerous. It also gives police another way to arrest and incarcerate people who are disenfranchised—particularly people of color and migrants—for the “crime” of partaking in a consensual transaction between adults. Criminalization laws do nothing to help sex workers who suffer violence at work or want to exit the industry; instead they contribute to stigma and directly cause violence toward them. It has since adopted in Norway and Iceland (both in 2009), Canada (2014), and Northern Ireland (2015), and online it’s known as #EndDemand.
White feminists who have never done sex work sometimes appoint themselves “saviors” and try to “rescue” sex workers from their jobs, conflating sex work with sex trafficking or forced sexual labor. These “rescues” are actually police raids which drag workers to stations and make them present their IDs and immigration documents—these scenes poignantly captured by the Sex Workers’ Opera (along with many others; if you’re in London, go see it this weekend). A police representative from Oslo admitted to Amnesty (in their report on Norway), “We deport trafficking victims. Many of them don’t know that they are victims, but they are according to the law.”
In addition to being humiliating and unhelpful, this approach denies the agency of sex workers to make their own decisions regarding their work. Feminism is a plurality, but surely the object of feminist gender politics should be to empower women and girls and femmes to have complete agency over their lives; not to punish them for making choices that we find uncomfortable, which usually ignores the systemic factors that led them to make those choices.
Full service sex work is mischaracterized as “women’s bodies for sale”. Putting aside that lots of sex workers aren’t women, this is reductive and untrue. Do massage therapists sell their hands? Do singers sell their voices? Obviously not; they sell their time and their skilled labor, and so do sex workers.
Abolitionists, more accurately described as sex worker exclusionary feminists (SWERFs, yes, like TERFs), are very concerned that sex work is degrading gendered violence, yet they offer no support to women who do other “degrading” feminized jobs: carers, cleaners, housework, and service industry work are all disproportionately done by women who are paid less than the men they work with, and these jobs are difficult and emotional-labor intensive. House work is real work; sex work is real work; under capitalism, all work is shit.
The question of whether a person desperate for cash can meaningfully consent to work is vital. And that’s precisely why the term “sex work” is essential. It makes it clear that the problem is not sex, but work itself, carried out within a culture of patriarchal violence that demeans workers in general and women in particular.
To describe sex work as “a job like any other job” is only a positive reframing if you consider a “job” to be a good thing by definition. In the real world, people do all sorts of horrible things they’d rather not do, out of desperation, for cash and survival. People do things that they find boring, or disgusting, or soul-crushing, because they cannot meaningfully make any other choice. We are encouraged not to think about this too hard, but to accept these conditions as simply “the way of the world”. (x)
All waged work (and much unwaged work) is coercive, but sex work is singularly targeted as exploitative because people are uncomfortable with the implications of commodified intimacy, and patriarchy only likes to see women as sexual objects who benefit men, not sexual agents who might profit from their objectification.
SWERFs are also very concerned with men (pimps) profiting from the “prostitution” of women and children. The reality is that until sex work is decriminalized, sex workers are denied basic labor protections which treat brothel owners and sex workers’ managers as employers, like safe working conditions and legal accountability for wage theft and abuse. SWERFs also ignore that many pimps are cops and many brothels bribe the police, and that most violence against sex workers is at the hands of the state rather than clients.
New Zealand is the only country in the world where sex work is fully decriminalized for its citizens, but sex working migrants are still criminalized. In the UK, sex work is partially criminalized: sex work is legal if done by independent workers, but “brothel-keeping” (or, more than one sex worker working from the same location) is illegal.
In the US sex work is fully criminalized except in some counties in Nevada, where it is legalized: workers are not allowed to leave the premises of the brothels they work at, which are in isolated rural areas, and they are subject to forced health checks. The distinction between legalization and decriminalization is a matter of human rights. In a model of legalization, sex workers are forced to comply with rules which disempower them and further entrench stigma (like the health checks) at the risk of breaking the law, and separated from the communities where they work; and brothel-keepers are empowered to be exploitative. In New York City, condoms are still used as evidence of “promoting prostitution” (a crime which makes no distinction between third parties who are coercive or trafficking and third parties who are supportive or involved for safety). The negative affects of criminalizing people for doing the work they’ve concluded is the most viable for them—especially when they are already more likely to be vulnerable as POC, trans, single mothers, and/or undocumented, choosing sex work because they are disenfranchised—should be obvious.
Any policy which ignores the demands of those it is trying to help is doomed to be awful. Like I’ve written before: a successful #EndDemand campaign would not end exploitation. If you want to end exploitation and coercive labor, end capitalism and give everyone an Unconditional Basic Income. Empower women and girls and femmes by believing them when they say they’ve experienced sexual and domestic violence, and make it easy for them to exit violent situations. Dissolve national borders, end deportations, and allow us our unalienable human right to freedom of movement around this planet. Give us all access to healthcare and childcare. Give us all access to housing (there are more empty houses than homeless people) and abolish private property. Abolish the police and the prison system and the military and decry them as instruments of state racism and violence. Stop punishing women for making difficult choices to survive; start dismantling the systems that force them to make those choices.
Edit: amended to correct the dates in which the Nordic model was adopted in various countries.
[Image description: Anohni’s pale face, dark hair, dark eyes, and somber expression, with the words “I Love You + Want The Best For You” written on her cheek]
Content note: discussion of state violences, dysphoria, abuse, death
HOPELESSNESS is an ode to neoliberal imperialist USAmerica, an embrace of the ugly sides to capitalism and the erosion of our environment, our privacy, our human rights. Written by Anohni and produced in collaboration with Oneohtrix Point Never and Hudson Mohawke, Anohni’s singular voice dominates the album, surrounded by colossal strings and beats. On their own, her lyrics are scathing political commentary and heartbreaking poetry; paired with the wide-open upbeat electronics and swelling strings, HOPELESSNESS interrogates the genres of pop and dance. Can you make a pop single about drone bombing, or ecocide? You not only can—you should.
In the gorgeous video for “Drone Bomb Me”, Naomi Campbell cries as she lip-sync’s Anohni’s lyrics about survivor guilt, begging to be killed by a drone bomb and scattered across a mountain. The imagery is beautiful and disturbing:
Blow my head off
Explode my crystal guts
Lay my purple on the grass
If you weren’t paying attention, you might think it’s just a dance track—bodies sweat and thump in blue and green lighting and smoke to other lines like:
Choose me tonight
Let me be the one
The one that you choose tonight
“After all / I’m partly to blame” is the running theme of the album: we’re all complicit in the horrors of oil-thirsty imperialism.
The second single, “4 DEGREES” is just as impassioned and unapologetic. “I have grown tired of grieving for humanity, and I also thought I was not being entirely honest by pretending that I am not a part of the problem,” Anohni said. “’4 DEGREES’ is kind of a brutal attempt to hold myself accountable, not just valorize my intentions, but also reflect on the true impact of my behaviors.” It’s an accelerationist take on climate change, backed by huge drums, deep brass, and syncopated strings:
I wanna hear the dogs crying for water
I wanna see the fish go belly-up in the sea
All those lemurs and all those tiny creatures
I wanna see them burn, it’s only 4 degrees
The track finishes with “Ooh let’s go, let’s go, it’s only 4 degrees”.
Track three, “Watch Me”, also has double-meanings. In the first verse she croons:
Watch me in my hotel room
Watch me move from city to city
Watch me watching pornography
Watch me talk to my friends and my family
It’s an ode to voyeurism with sexual overtones which could be about a controlling Daddy Dom, and quickly becomes about NSA privacy breaches and the collection of personal information. The surveillance state isn’t Big Brother, it’s Daddy:
I know you love me, cause you’re always watching me
Protecting me from evil
Protecting me from terrorism
Protecting me from child molesters
Protecting me from evil
Watch me in my hotel room
Watch my iris move from city to city
Watch me watching pornography
Watch my medical history
Anohni is the first trans music I heard, about six years ago with her previous band Antony And The Johnsons. Their songs about dysphoria and self-directed abuse, supported by sappy piano and orchestral arrangements, still make me cry.
I am very happy, so please hit me
I am very, very happy, so please hurt me
“Cripple And The Starfish”, 1995
One day I’ll grow up and be a beautiful woman
One day I’ll grow up and be a beautiful girl
But for today I am a child
For today I am a boy
She’s always been an Important artist to me, and I’m so glad to see her get widespread acclaim with HOPELESSNESS. Anohni’s voice quivers with angst and sorrow, and anyone familiar with her work will recognize it immediately despite the new pop dance aesthetic. Her poetic lyrics are simple, clear, and beautiful. Their directness is what makes them so moving. It’s also inspiring to see a trans woman at 45 years old, visible and still angry and engaged and relevant and alive. HOPELESSNESS is an eloquent as ever shift from the personal to the (explicitly) political, with bigger percussion.
Track four, “Execution”, sings in praise of capital punishment. It cheerfully hooks:
Sometimes a feeling is reason enough
It’s an American dream
The justice system which legally murders as punishment is a key part of the USAmerican “dream”, the mythology, the terror of the state; it’s viewed as a part of our “free democracy”, but Anohni correctly groups the US with China, Saudi Arabia, North Korea, and Nigeria as states which practice the death penalty. The bastardization of morality among the USAmerican right: it’s enough to execute someone simply because you feel like it’s right, with no appreciation for that feeling stemming from classism, racism, sexism, xenophobia, ableism, and/or queerphobia.
Track five, “I Don’t Love You Anymore”, is a break-up song: to the US, to neoliberal capitalism, to herself as a member of the state and a reproducer of its power? It could be ‘just a break-up song’, but given the political content of the other tracks I find that unlikely. The lyrics
You left me in a cage
My only defense was rage
are a too real description of my own feelings about our current state of affairs. Whether a comment on the prison system or feeling trapped by an abusive partner, the line speaks to the value and necessity of anger as a coping mechanism, an emotional survival strategy.
Track six, “Obama”, captures our disillusionment with the US president who we were once so proud of. I’m going to include the lyrics in full because they’re so pointed:
When you were elected
The world cried with joy
We thought we had empowered
The truth-telling envoy
Now the news is you are spying
Executing without trial
Scarring closed the sky
Punishing the whistleblowers
Those who tell the truth
Do you recognize the yellow
Staring back at you
All the hope drained from your face
Like children we believed
All the hope drained from your face
The juxtaposition of Chelsea Manning and Edward Snowden as truth-telling whistleblowers incarcerated and in exile, to Obama as a spying imperialist elected on the false premise of truth, is a reminder that the continuation of Obama’s policies in Hillary Clinton is not good enough, and how Bernie Sanders’ promises of a just society which have so inspired the disenfranchised could too end in further decay of leftist values and more militarism.
“Why Did You Separate Me From The Earth?” interrogates the distance we feel between our consumption and the environmental destruction caused by it.
I don’t want your future
I’ll never return
I’ll be born into the past
I’m never, never coming home
Why did you separate me from the Earth?
What did you stand to gain?
This time, Anohni rejects profit as a priority over the ecosystems, and rejects the mythological future of luxury capitalism. She goes on to list crimes against the Earth with vivid imagery while strings pluck away and pad synths swell.
“Crisis” begins minimally, with staccato deep bass beat and a metronomic tone behind Anohni’s voice, before adding in wet strings dripping with delay.
If I tortured your brother
If I filled up your mass graves
And attacked your countries
Under false premise
It’s an apology to everyone killed in US-NATO adventurism in the Middle East in the name of “crisis”, and a renaming of those deaths as a crisis greater than the ones which allegedly brought us there.
The title track, “Hopelessness”, echoes the sentiments of “4 DEGREES” regarding individual environmental accountability:
I don’t care about me
I feel the animals in the trees
They got nowhere
Nowhere to go
I’ve been taking more than I deserve (hopelessness)
Leaving nothing in reserve (hopelessness)
Digging til the banks runs dry (hopelessness)
I’ve been living a lie (hopelessness)
On the final track, “Marrow”, Anohni continues to ask us what it means to be USAmerican. She concludes that as we steal money and oil (and land, and lives), “We are all Americans now”.
This is an album in the traditional sense. It has rhythm and cohesiveness, alternating between chipper pop melodies (like “Execution”, “Why Did You Separate Me From The Earth”), big dance tracks (“Drone Bomb Me”, “4 Degrees”), and somber open soundscapes (“Obama”, “Violent Men”, “I Don’t Love You Anymore”). I’m not an “album-enthusiast” who decries the death of the LP making way for internet singles, but HOPELESSNESS is a satisfyingly unified body of work, both thematically and aesthetically.
I haven’t bought the album; I pirated it yesterday, after listening to the two singles “Drone Bomb Me” and “4 DEGREES” at least 100 times each on Anohni’s bandcamp (protip: use a different browser or an incognito window to get past the 4-play limit without purchasing). This is how I get most of my music—the rest are £0.50 cassette tapes and 3-for-£1 vinyl at my local record shop. I want to support artists and pay for their music; I also struggle to make rent every month. There is no ethical consumerism when you’re poor. Hopelessness.
Despite the title and the bleak themes (the latter not a departure from Anohni’s earlier work), the album is empowering. It’s powerful to hear that artists are as disappointed and disillusioned, embracing the hopelessness of late capitalism and challenging our collective complacency. This album offers solidarity. It gives me hope.
[Image description: a pair of bronze feet with red painted toenails on one inch heels with red bottoms, with no distinction between the feet and the heels]
Content note: sex work, whorephobia
The guardian recently published an incoherent editorial titled, “The Guardian view on criminal policy: sex, money and the long arm of the law” which suggests that the recent legislation passed in fRance which criminalizes sex workers’ clients “could help reduce harm”. The majority of the short piece is spent recognizing that criminalizing any aspect of sex work leaves sex workers vulnerable to less safe working conditions, and that organized sex workers’ groups instead campaign for decriminalization, but it ends with this paragraph:
The great difficulty, however, is that it leaves the sex industry intact. And in all paid-for sex there is, arguably, an inherently exploitative dimension. Even if there is nominally consent, in most cases, if not all, this will be a choice that women make out of desperation, rather than anything positive. The social and economic circumstances in which a woman sees sex work as the best available option represents, in itself, an environment of coercion. Criminalising not the women involved but their clients – particularly when, as in the French proposal, it is accompanied by a properly funded programme to help sex workers into more secure jobs – may be the least-bad answer, in both moral and practical terms.
Apparently the Nordic model—which the guardian acknowledges harms sex workers— is the “least-bad” option because decrim “leaves the sex industry intact”. As if criminalizing sex work will kill the industry, as if the sex industry is inherently more exploitative then other gendered labor, as if no one has actively chosen to do sex work because it’s more empowering for them than, say, underpaid janitorial work; as if women & femmes don’t have transactional sex all the time and formally demanding cash for time & services isn’t subverting the patriarchy which usually demands that labor for free; as if the sex industry must be (could be) destroyed at all costs, even the safety of the sex workers they claim to want to rescue.
Non-coercive sex work is no more exploitative than any other labor. If you want to end exploitation: end capitalism. Close wage gaps & open the borders, and give migrants the right to work legally. Raise the minimum wage and lower the rent. Give us all Universal Basic Income.
If you want to help sex workers: listen to them. Making sex work more dangerous by criminalizing any part of it will not kill the sex industry, it will just hurt the workers—they still need to work and will continue to do so even in bad conditions unless you remove the necessity for earning money to survive. Stop trying to “save” women from the sex industry while ignoring what they’re collectively fighting for.
[Image description: Travis, a black trans femme, wearing black lipstick, a black headscarf, black shirt and chunky gold chain, sits in a bookshop facing camera with a stoic expression. Photo by Alexander Lijka]
Beyond The Binary asked me to review “Stories Of A Queer Brown Muddy Kid” by Travis Alabanza. It was their final performance of the intense, funny, moving autobiography of queer black life in London, and I’d already seen it twice before. The piece is all about, and for, queer black femmes, so I was reluctant to take on the task as a white boy(ish), but I gave it my best.
Acutely aware of racialized violence in the queer scene, Travis scornfully highlighted colonialism in sexual relationships, their role as “his bucket to empty his microaggressions” and a “brown fetish of the week”. “I’m not your black boy top”, they insisted, but then, “Why do I still need him?” Their vulnerability about intimacy, about simultaneously recognizing abuse but longing for your abuser(s), was bold and affecting.
tl;dr I absolutely loved it, Travis is amazing, give them all your money.
[Image description: pointilated mannequin legs resting on a grate, in black and white]
Content note: mentions of transphobia, transmisogyny, and gendered violence
I’m very happy that my latest angry trans rant has been published (online and In Print) by the Occupied Times. The OT is a collectively run broadsheet with a solid history of publishing critical, anti-capitalist writing, and while they always produce great material, I’m glad to see a little more about gender/queer stuff on their pages, even if it meant contributing myself:
Fuck respectability politics. Trans people don’t need to conform to cisnormative standards of beauty to be worthy, to be sexy, to be human. This only serves to create a hierarchy of “acceptable” gender expressions and modes of transness – ones which fit the gender binary.
[Image description: A white trans masc boy with dark hair wearing a blue shirt with rolled-up sleeves, an orange tie, and orange lipstick holds a blue marker and draws something (unseen) on a large white sheet of paper]
The other interviewees, Jamie and Addison, are lovely and articulate. It’s hard not to notice that we all sport a similar look, but not all non-binary people look like me and Addison—the three of us operate in the same, very tight, community of trans/queerness in London, so we have a similar aesthetic. Not all non-binary people are afab, and white, and masculine, and wear button-up shirts.
Addison gave my favorite quote:
I don’t normally tell cis people that I’m a non-binary trans man because they go, ‘What does that mean’, so I tend to just stick to ‘trans man’ or ‘non-binary’ so I don’t blow their tiny minds.
Excepting qualms with dodgy terminology in the intro (“born with a male body”; “biologically female but lives as a man”) I think they did a fantastic job; it’s very encouraging to see young people creating art, and taking an interest in gender and amplifying non-binary narratives.